You Have One New Message
Knitting intimacy for connecting opinions, people and the world
DOI:
https://doi.org/10.7577/formakademisk.4174Emneord (Nøkkelord):
Knitting, Intimacy, Affordance, Workshop, design and craftsSammendrag
Knitting is often practiced as a group activity that takes place in the domestic environment. Besides the collectivity, using motifs with meanings has also facilitated communication between people. Building on these ideas, a workshop was designed to facilitate discussions about everyday concerns or experiences, both on personal and societal levels, to strengthen communication with the self and others. In the workshop, the thirteen participants were asked to design a motif to convey a message to themselves, to the group or to the society. Through a group discussion, the motifs stemming from personal experiences were knitted, shared and discussed. The topics emerging from the workshop indicates that knitting affords intimate exchanges between the self and others, and connects people by facilitating socio-political discussions, such as on environmental sustainability, women rights and self-development.
Referanser
Aktaş, B.M. (2015). Interpreting Anatolian Crafts with Contemporary Design: Case of Handmade Socks [Master of Arts Thesis]. Koç University.
Aktaş, B.M. & Veryeri-Alaca, I. (2017). The Co-Knitting Project: A Proposal to Revive Traditional Handmade Socks in Turkey. The Journal of Modern Craft, 10(3), 237-256. https://doi.org/10.1080/17496772.2017.1394524 https://doi.org/10.1080/17496772.2017.1394524
Barışta, H.Ö. (1988). Turkish Handicrafts. Ministry of Culture and Tourism Publications.
Barışta, H.Ö. (2001). Cumhuriyet Dönemi Türk Halk İşlemeciliği. Kültür Bakanlığı, Yorum Matbaası.
Bernard, H.R. (2006). Research methods in anthropology: Qualitative and quantitative approaches (4th ed.). Altamira.
von Busch, O. (2010). Exploring net political craft: From collective to connective. Craft Research 1, 113–124, https://doi.org/10.1386/crre.1.113_7 https://doi.org/10.1386/crre.1.113_7
Erbek, M., (2002). Çatalhöyük’ten Günümüze Anadolu Motifleri. Kültür Bakanlığı.
Fields, C.D. (2014). Not Your Grandma’s Knitting: The Role of Identity Processes in the Transformation of Cultural Practices. Social Psychology Quarterly. 77(2), 150-165. https://doi.org/10.1177/0190272514523624 https://doi.org/10.1177/0190272514523624
Glăveanu, V. (2012). What Can be Done with an Egg? Creativity, Material Objects, and the Theory of Affordances. The Journal of Creative Behavior, 46(3), 192–208. https://doi.org/10.1002/jocb.13 https://doi.org/10.1002/jocb.13
Glăveanu, V. (2014). Distributed Creativity: thinking outside the box of the creative individual. Springer.
Greer, B. (2014). Craftivism: The Art of Craft and Activism. Arsenal Pulp Press.
Ingold, T. (2013). Making: Anthropology, Archaeology, Art & Architecture. Routledge. https://doi.org/10.4324/9780203559055 https://doi.org/10.4324/9780203559055
Lehmann, A.S. (2015). The Matter of the Medium. Some Tools for an Art Theoretical Interpretation of Materials, In C. Anderson, A. Dunlop, P. H. Smith (Eds.), The Matter of Art: Materials, Technologies, Meanings 1200-1700, (pp. 21-41), Manchester University Press.
Malafouris, L. (2013). How Things Shape the Mind: a theory of material engagement. MIT Press. https://doi.org/10.7551/mitpress/9476.001.0001 https://doi.org/10.7551/mitpress/9476.001.0001
Mason, R. (2005). The Meaning and Value of Home-based Craft. International Journal of Art & Design Education, 24(3), 261-268. https://doi.org/10.1111/j.1476-8070.2005.00449.x https://doi.org/10.1111/j.1476-8070.2005.00449.x
Niedderer, K. & Townsend, K. (2018). Making sense: Personal, ecological and social sustainability through craft. Craft Research, 9(2), 195-200. https://doi.org/10.1386/crre.9.2.195_2 https://doi.org/10.1386/crre.9.2.195_2
Özbel, K. (1976). Türk Köylü Çorapları. İş Bankası Kültür Yayınları.
Pethney, B. A. (2008). Feminism, Activism, and Knitting: Are the Fiber Arts a Viable Mode for Feminist Political Action? Thirdspace: A journal of feminist theory & culture, 8(1).
Prigoda, E. & McKenzie P. (2007). Purls of wisdom: A collectivist study of human information behaviour in a public library knitting group. Journal of Documentation. 63(1), 90-114. https://doi.org/10.1108/00220410710723902 https://doi.org/10.1108/00220410710723902
Riley J., Corkhill B. & Morris C. (2013) The benefits of knitting for personal and social wellbeing in adulthood: findings from an international survey. British Journal of Occupational Therapy, 76(2), 50-57. https://doi.org/10.4276/030802213X13603244419077 https://doi.org/10.4276/030802213X13603244419077
Williams, K.A. (2011). “Old Time Mem’ry’: Contemporary Urban Craftivism and the Politics of Doing-It-Yourself in Postindustrial America. Utopian Studies, 22(2), 303-320. https://doi.org/10.5325/utopianstudies.22.2.0303 https://doi.org/10.5325/utopianstudies.22.2.0303
Ørngreen R. & Levinsen K. (2017). Workshops as a Research Methodology. The Electronic Journal of eLearning 15(1), 70-81.
Nedlastinger
Publisert
Hvordan referere
Utgave
Seksjon
Lisens
Opphavsrett 2021 Bilge Merve Aktas
Dette verket er lisensiert under Creative Commons Attribution-NoDerivatives 4.0 International License.
- Forfatteren(e) beholder sin opphavs- og kopieringsrett til eget manuskript, men gir tidsskriftet varig rett til 1) å fremføre manuskriptet for offentligheten i den opprinnelig publiserte digitale form, og 2) å registreres og siteres som første publisering av manuskriptet.
- Forfatteren må selv forvalte sine økonomiske kopieringsrettigheter overfor eventuell tredjepart.
- Tidsskriftet gir ingen økonomisk eller annen kompensasjon for innsendte bidrag, medmindre det er gjort særskilt avtale om dette med forfatteren(e).
- Tidsskriftet plikter å arkivere manuskriptet (inklusive metadata) i den opprinnelig publiserte digitale form, i minst ett dertil egnet åpent tilgjengelig langtidsarkiv for digitalt materiell, som for eksempel i de norske universitetenes institusjonsarkiv innen rammen av NORA-samarbeidet.
- Lesere av tidsskriftet kan ta utskrift av de fremførte manuskriptene under samme betingelser som gjelder ved kopiering av fysiske eksemplar. Dette innebærer at masseframstilling av fysiske eksemplar, eller framstilling av eksemplar for kommersielle formål, ikke er tillatt uten etter avtale med forfatteren(e).