Crafting Collaboration

a sign, a room, a house, an open field

Authors

DOI:

https://doi.org/10.7577/formakademisk.6354

Keywords:

Collaboration, Craft, Performance, Transdisciplinarity, Sustainability

Abstract

This article reflects on the long-running transdisciplinary collaboration between ceramicist Diana Butucariu and musician Erik Lindeborg, tracing their evolving practice from pop-up events to situated works that engage with sustainability, heritage, and place. Collaboration emerges as a process of mutual orientation, developed under conditions of precarity. Past work is reanimated as a research archive, ultimately leading to renewal in the present through the act of writing. It mirrors the collaboration itself—an unfolding of space for interdependency within systems arranged against it, using careful maintenance as method, and sustainability—not as subject, but form. The text describes collaboration as the crafting of a shared voice and lets that voice speak for itself.

Author Biographies

Diana Butucariu, National University of Arts in Bucharest

PhD student
Romania

Erik Lindeborg, Independent researcher

Independent Researcher, Ockelbo, Sweden

References

Ahmed, S. (2000). Strange encounters: Embodied others in post-coloniality. Routledge.

Ahmed, S. (2006). Queer phenomenology: Orientations, objects, others. Duke University Press. https://doi.org/10.1515/9780822388074

Ahmed, S. (2012). On being included: Racism and diversity in institutional life. Duke University Press. https://doi.org/10.1215/9780822395324

Bachelard, G. (1964). The poetics of space (M. Jolas, Trans.). Beacon Press. (Original work published 1958).

Berliner, P. F. (1994). Thinking in jazz: The infinite art of improvisation. University of Chicago Press. https://doi.org/10.7208/chicago/9780226044521.001.0001

Bhabha, H. K. (1994). The location of culture. Routledge.

Bishop, C. (2004). Antagonism and relational aesthetics. October, 110, 51–79. https://doi.org/10.1162/0162287042379810

Bishop, C. (2006). The social turn: Collaboration and its discontents. Artforum, 44(6), 178–183.

Bourriaud, N. (2002). Relational aesthetics (S. Pleasance & F. Woods, Trans.). Les presses du réel. (Original work published 1998)

Chen, N. (1992). Speaking nearby: A conversation with Trinh T. Minh-ha. Independent, 15(3–4), 86–88.

Derrida, J. (2000). Of hospitality (A. Dufourmantelle, Trans.). Stanford University Press.

Drăguț, V. (1966). Sighişoara – Oraş-Muzeu. Bucharest, Romania: Editura Meridiane.

Gablik, S. (1991). The reenchantment of art. Thames & Hudson.

Green, C. (2001). The third hand: Collaboration in art from conceptualism to postmodernism. University of Minnesota Press.

Guattari, F. (2000). The three ecologies (I. Pindar & P. Sutton, Trans.). The Athlone Press. (Original work published 1989).

Heidegger, M. (1971). Building dwelling thinking (A. Hofstadter, Trans.). In A. Hofstadter (Trans. & Ed.), Poetry, language, thought (pp. 143–159). Harper & Row.

Ingold, T. (2007). Lines: A brief history. Routledge. https://doi.org/10.4324/9780203961155

Kester, G. H. (2011). The one and the many: Contemporary collaborative art in a global context. Duke University Press. https://doi.org/10.1215/9780822394037

Monson, I. (1996). Saying something: Jazz improvisation and interaction. University of Chicago Press. https://doi.org/10.7208/chicago/9780226534794.001.0001

Oliveros, P. (2005). Deep listening: A composer’s sound practice. iUniverse.

Sennett, R. (2008). The craftsman. Yale University Press.

Sennett, R. (2012). Together: The rituals, pleasures and politics of cooperation. Yale University Press.

Turner, V. (1969). The ritual process: Structure and anti-structure. Aldine Publishing. (Reprinted 2011, Transaction Publishers).

Ukeles, M. L. (1969). Manifesto for maintenance art 1969! [Unpublished artist statement]. https://queensmuseum.org/wp-content/uploads/2016/04/Ukeles-Manifesto-for-Maintenance-Art-1969_5-pages.pdf

Three different photos of a barn in the field at different seasons

Downloads

Published

2026-11-02

How to Cite

Butucariu, D., & Lindeborg, E. (2026). Crafting Collaboration: a sign, a room, a house, an open field. FormAkademisk, 19(2). https://doi.org/10.7577/formakademisk.6354

Cited by