A/r/tography as performative pedagogy in theatre production
DOI:
https://doi.org/10.7577/ar.5491Keywords:
youth theatre, theatre for young audiences, theatre production, a/r/tography, performative pedagogy, performative research, reference group, devisingAbstract
This article examines how a/r/tography can be used as performative pedagogy in theatre production. Based on Rita Irwin's view of a/r/tography as a dynamic way of learning we explore how bachelor students in drama/theatre can embody the role of artist-researcher-teacher. The empirical data stems from a course in devised theatre. Each student group produced a performance in collaboration with young people, and the role of the drama teacher was central for the artistic process. In the analysis we found three key insights for the implementation of a/r/tography as a learning strategy: (1) emphasis on artistic will paired with the teacher’s deep listening skills, (2) emphasis on modelling experiential knowledge as teaching/learning strategy, and (3) the benefit of the a/r/tografic researcher position. All in all, we see that the students’ awareness of the interweaving of the three roles, artist-researcher-teacher, facilitated a deeper learning and understanding of the theatre production process and the reference group’s life world.
Photo: Eirik Brenne Torsethaugen
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