Tutankhamun’s collar

Repeated reconstructions of a single collar

Forfattere

  • Marie Ekstedt Bjersing Sätergläntan Institute of Crafts

DOI:

https://doi.org/10.7577/formakademisk.4212

Emneord (Nøkkelord):

Reconstruction craft, Weaving, Intangible knowledge, Craft skills, Analysis and reconstruction

Sammendrag

The aim of this paper is to discuss what happens when repeating a reconstruction of the same textile. The author of this article is also the craftsperson that made the four reconstructions presented. The original collar reconstructed belonged to Tutankhamun. The collar is circular, woven in a circle. Before the reconstructions, this method of weaving circular shapes had not been described. The first reconstruction focused on the collar. Fifteen years later, three additional reconstructions were made. This time, the focus was to reconstruct the craft, by the use of fewer, simpler tools. Parallel to practical work there was an exploration of how to make documentation. One conclusion in the project is when changing focus from reconstructing a textile to reconstructing a craft, more similarity to the original was achieved. 

Forfatterbiografi

Marie Ekstedt Bjersing, Sätergläntan Institute of Crafts

Master of Arts (M.A.)

Referanser

Augustyn, A. Weaving. In Encyclopædia Britannica. Retrieved October 26, 2020 from https://academic-eb-com.ezproxy.ub.gu.se/levels/collegiate/article/weaving/76377

Ekstedt Bjersing, M. (1998). Gamla och nya drömmar – en rekonstruktion av Tutankhamons krage [Unpublished graduate report]. Väfskolan, Högskolan i Borås.

Ekstedt Bjersing, M. (2015). A textile tale. Tutankhamun’s circular collar. Vävmagasinet: Scandinavian Weaving Magazine, [English edition], (3), 34-35.

Ekstedt Bjersing, M (2017). Dyeing Linen with Madder. Vävmagasinet: Scandinavian Weaving Magazine [English edition], (4), 22-25.

Germer, R. (1992). Die Textile färberei und die Verwendung gefärbter textilien im Alten Ägypt. Ottoa Harraossowitz.

Gleba, M. & Harris, S. (2019). The first plant bast fiber technology: identifying splicing in archaeological textiles. Archaeological and Anthropological Sciences, 11(5), 2329-2346. https://doi.org/10.1007/s12520-018-0677-8.

Kamiya, I. (1995). Tutankhamun. [Unpublished graduate report]. Väfskolan, Högskolan i Borås.

Nomura, K. & Rinaldo, C. (2013). Tutankhamons väverskor: berättelsen om återskapandet av en textil skatt. Signum/Atlantis.

Pye, D. (1995). The nature and art of workmanship. (Rev. ed.). Herbert.

van Rooij, E. H. C. & Vogelsang-Eastwood, G. M. (1994). The Pharaonic textiles. In Pharaonic and early medieval Egyptian textiles. The Rijksmuseum van Oudheden te Leiden.

Reeves, N. (1990). The Complete Tutankhamun. The King – The Tumb – The Royal treasure. Thamson and Hudson.

Sjömar, P. (2017). Metoder i hantverksundersökningar. In G. Almevik, (Ed.), Hantverksvetenskap (pp. 83-168). Hantverkslaboratoriet, Göteborgs universitet.

Vogelsang-Eastwood, G. (1992). The production of Linen in pharaonic Egypt. Stichting Textile Research Centre, Leiden.

Vogelsang-Eastwood, G. (1997). Tutankhamun textiles and clothing in the Egyptian Museum, Cairo. Barjesteh van Waalwijk van Doorn.

Vogelsang-Eastwood, G. (1999). Tutankhamun's wardrobe: garments from the tomb of Tutankhamun. Barjesteh van Waalwijk van Doorn & Co's.

Nedlastinger

Publisert

2021-05-10

Hvordan referere

Ekstedt Bjersing, M. (2021). Tutankhamun’s collar: Repeated reconstructions of a single collar. FormAkademisk, 14(2). https://doi.org/10.7577/formakademisk.4212

Cited by