Crafting Ceramics through the Use of Virtual Reality
DOI:
https://doi.org/10.7577/formakademisk.4193Emneord (Nøkkelord):
Ceramics, digital crafting, craft, 3d clay printing, Virtual realitySammendrag
This paper reflects ongoing research about how new technology creates new possibilities within crafting and how it can build on traditional techniques within the field of ceramics. The research explores how virtual reality (VR), using Oculus Rift and 3D-printing in clay is suitable to link to the process of throwing vessels within ceramic crafts. The quality of the crafted objects in question is based on the ability of the presented technique to combine throwing and pattern-making as an integrated process while building up the thrown object, here named virtual pattern-throwing. Furthermore, it is argued that this use of VR for throwing makes it possible to recall a hands-on experience and thus weave the quality of the traditional craftsmanship with the virtual within the process of making vessels.
Referanser
Binder, T, & Redström, J (2006) Exemplary Design Research. In K. Friedman, T. Love, E. Côrte-Real & C. Rust. Wonderground 2006 Design Research Society . International Conference in Lisbon. IADE. http://unidcom.iade.pt/drs2006/wonderground/proceedings/fullpapers/DRS2006_0152.pdf
Dormer, P. (1994). The Art of the Maker. Thames and Hudson.
Downton, P. (2003). Design Research. RMIT Press.
Ekströmer, P., Wever, R., Andersson, P., & Jönsson, J. (2019) Shedding Light on Game Engines and Virtual Reality for Design Ideation. Proceedings of the Design Society 1(1). https://doi.org/10.1017/dsi.2019.206 https://doi.org/10.1017/dsi.2019.206
Ekströmer, P. (2019). A first sketch of Computer Aided Ideation. Exploring CAD tools as externalization media in design ideation. [Thesis no. 1859, Division of Machine Design Department of Management and Engineering Linköping University, Linköping, Sweden]. https://doi.org/10.3384/lic.diva-162022 https://doi.org/10.3384/lic.diva-162022
Groth, C., Mäkelä, M, & Seitamaa-Hakkarainen, P. (2013). Making sense What can we learn from experts of tactile knowledge? FormAkademisk, 6(2), Art. 2. https://doi.org/10.7577/formakademisk.656 https://doi.org/10.7577/formakademisk.656
Hansen, F. T., & Falin, P. (2016). 3D Printing as a Ceramic Craft Tool in Its Own Right. In M. Mäkelä, B. Schmidt, P. Falin and M. Juolahti (Eds.), Ceramics and its Dimensions: Shaping the Future (pp. 114–128). Aalto University.
Hecht, E., (2013). George Ohr, The greatest Art Potter on Earth. Skira Rizzoli Publications.
Koskinen, I., Binder, T., & Redström, J (2008), Lab, Field, Gallery and Beyond, Artifact, 2(1). https://doi.org/10.1080/17493460802303333 https://doi.org/10.1080/17493460802303333
Leach, B. (1940). A Potter's Book. Faber and Faber.
McCullough, M. (1998). Abstracting Craft. The Practiced Digital Hand. MIT Press.
Mussi, S., (2020). Ceramic - Pottery Dictionary. http://ceramicdictionary.com/
Nimkulrat, N., Oussoren, A., Fraser, H. D., & Doyle, K. (2019) Collaborative craft through digital fabrication and virtual reality. In RTD2019 Method & Critique – Frictions and Shifts in RtD, March 19–23, 2019, Delft, The Netherlands. http://openresearch.ocadu.ca/id/eprint/2658/1/PUBLISHED-RTD2019_article%2016.pdf
Pye, D. (1968). The Nature and Art of Workmanship. Cambridge University Press.
Schön, D. (1983) The Reflective Practitioner. How professionals think in action. Temple Smith.
Sennett, R. (2008). The Craftsman. Penguin Books
Thomsen, M., & Tamke, M., (2013). Computing and Material. In R. Armstrong & F. Simone. Unconventional Computing, ACADIA 2013: Design Methods for Adaptive Architecture. (First edition) (pp. 148-151). Riverside Architectural Press.
Thomsen, M., Tamke, M., & Pedersen, C. (2012). Digital Crafting, A network on Computation and Craft in Architecture, Engineering and Design. http://www.digitalcrafting.dk/
Nedlastinger
Publisert
Hvordan referere
Utgave
Seksjon
Lisens
Opphavsrett 2021 Flemming Tvede Hansen
Dette verket er lisensiert under Creative Commons Attribution-NoDerivatives 4.0 International License.
- Forfatteren(e) beholder sin opphavs- og kopieringsrett til eget manuskript, men gir tidsskriftet varig rett til 1) å fremføre manuskriptet for offentligheten i den opprinnelig publiserte digitale form, og 2) å registreres og siteres som første publisering av manuskriptet.
- Forfatteren må selv forvalte sine økonomiske kopieringsrettigheter overfor eventuell tredjepart.
- Tidsskriftet gir ingen økonomisk eller annen kompensasjon for innsendte bidrag, medmindre det er gjort særskilt avtale om dette med forfatteren(e).
- Tidsskriftet plikter å arkivere manuskriptet (inklusive metadata) i den opprinnelig publiserte digitale form, i minst ett dertil egnet åpent tilgjengelig langtidsarkiv for digitalt materiell, som for eksempel i de norske universitetenes institusjonsarkiv innen rammen av NORA-samarbeidet.
- Lesere av tidsskriftet kan ta utskrift av de fremførte manuskriptene under samme betingelser som gjelder ved kopiering av fysiske eksemplar. Dette innebærer at masseframstilling av fysiske eksemplar, eller framstilling av eksemplar for kommersielle formål, ikke er tillatt uten etter avtale med forfatteren(e).
Cited by
