Approaches to Craft Studies at Higher Education
DOI:
https://doi.org/10.7577/formakademisk.4197Emneord (Nøkkelord):
Craft pedagogy, Higher Education, Craft Science, Art studies, Craft traditionSammendrag
The purpose of this article is to explore the various approaches to craft studies at higher education institutions. Based on fieldwork observations and document analysis of the curricula of four European and one US university craft study programmes, similarities and differences were found. The similarities concerned the pedagogy to acquire basic skills and the urge to keep up craft traditions. The differences concerned the broader aims of study and the students’ prospective career paths. The following approaches to craft studies in higher education were detected: 1. Educational crafts, 2. Traditional crafts, 3. Critical crafts, 4. Cultural heritage of crafts, and 5. Design-based crafts.
Referanser
Adamson, G. (2010). The Craft Reader. Berg.
Almevik, G. (2019). Hantverksvetenskap och vetenskapligt hantverk. FormAkademisk, 12(1), 1-14. https://doi.org/10.7577/formakademisk.2310
Almevik, G. (2016). From Archive to living Heritage. Participatory documentation methods in crafts. In A. Palmsköld,J. Rosenqvist, & G: Almevik (Eds.), Crafting Cultural Heritage (pp. 77-99). Gothenburg University Press. http://hdl.handle.net/2077/42095
Almevik, G., Höglund, S., & Winbladh, A. (Eds.). (2014). Hantverkare emellan. Mariestad Craft Laboratory.
Annist, A. (2009). Outsourcing Culture: Establishing Heritage Hegemony by Funding Cultural Life in South Eastern Estonia. Lietuvos Etnologija: socialinés antropologijos ir etnologijos studijos, 9(18), 17-138. https://talpykla.istorija.lt/bitstream/99999/2005/1/Lietuvos_etnologija_9%2818%29_117-138.pdf
Bowen, G. A. (2009). Document Analysis as a Qualitative Research Method. Qualitative Research Journal, 9(2), 27-40. https://doi.org/10.3316/QRJ0902027
Fitzgerald, T. (2012). Documents and document analysis. In A.R.J Griggs, M. Coleman, & M. Morrison (Eds.), Research Methods in Educational Leadership & Management (pp. 296-308). SAGE. https://doi.org/10.4135/9781473957695.n20
Groth, C. (2017). Making Sense through Hands: Design and Craft Practice Analyzed as Embodied Cognition. ( Aalto University publication series 1/2017) [Doctoral Dissertation]. Aalto Arts books.
Johansson, M. (2018). Doktorsavhandlingar inom det nordiska slöjdfältet [Doctoral theses in the Nordic craft field]. Techne Serien A, 25(3), 109-123. https://journals.oslomet.no/index.php/techneA/article/view/3031
Jupp, V., & Norris, C. (1993). Traditions in documentary analysis. In M. Hammersley (Ed.), Social Research. Philosophy, Politics and Practice (pp. 37-51). SAGE.
Kokko, S. (2018). The role of higher education in sustaining culturally significant crafts in Estonia. In S. Walker, M. Evans, T. Cassidy, A. T. Holroyd, & J. Jung (Eds.), Design Roots. Culturally Significant Designs, Products and Practices (pp. 231-242). Bloomsbury Academic. https://doi.org/10.5040/9781474241823.ch-022
Kokko, S. (2021). Critical research approach in craft and fibre art studies in the USA. International Journal of Education Through Art. (accepted for publication) https://doi.org/10.1386/eta_00067_1
Kokko, S., Almevik, G., Høgseth, H., & Seitamaa-Hakkarainen, P. (2020a). Mapping the methodologies of the Craft Sciences in Finland, Sweden and Norway. Craft Research, 11(2), 177-209. https://doi.org/10.1386/crre_00025_1
Kokko, S., Kouhia, A., & Kangas, K. (2020b). Finnish craft education in turbulence. Techne serien - Forskning i Slöjdpedagogik och Slöjdvetenskap, 27(1), 1-19. https://journals.oslomet.no/index.php/techneA/article/view/3562
Niedderer, K., & Townsend, K. (2010). Editorial. Craft Research, 1(1), 3-10. https://doi.org/10.1386/crre.1.3_2
Palinkas, L. A., Horwitz, S. M., Green, C. A., Wisdom, J. P., Duan, N., & Hoagwood, K. (2015). Purposeful sampling for qualitative data collection and analysis in mixed method implementation research. Administration and policy in mental health and mental health services research, 42(5), 533-544. https://doi.org/10.1007/s10488-013-0528-y
Porko-Hudd, M., Pöllänen, S., & Lindfors, E. (2018). Common and holistic crafts education in Finland. Techne Serien A, 25(3), 26-38. https://journals.oslomet.no/index.php/techneA/article/view/3025
Studia Vernacula (2019). Volume 10. All things considered. Viljandi Culture Academy. http://ojs.utlib.ee/index.php/SV/issue/view/1220
Walker,S., Evans, M., Cassidy, T., Holroyd, A. T., & Jung, J. (Eds.). (2018), Design Roots. Culturally Significant Designs, Products and Practices. Bloomsbury. https://doi.org/10.5040/9781474241823
Wilkinson-Weber, Clare M., & DeNicola, Alicia O. (Eds.). (2016). Critical Craft: Technology, Globalisation, and Capitalism. Bloomsbury.
Nedlastinger
Publisert
Hvordan referere
Utgave
Seksjon
Lisens
Opphavsrett 2021 Sirpa Kokko
Dette verket er lisensiert under Creative Commons Attribution-NoDerivatives 4.0 International License.
- Forfatteren(e) beholder sin opphavs- og kopieringsrett til eget manuskript, men gir tidsskriftet varig rett til 1) å fremføre manuskriptet for offentligheten i den opprinnelig publiserte digitale form, og 2) å registreres og siteres som første publisering av manuskriptet.
- Forfatteren må selv forvalte sine økonomiske kopieringsrettigheter overfor eventuell tredjepart.
- Tidsskriftet gir ingen økonomisk eller annen kompensasjon for innsendte bidrag, medmindre det er gjort særskilt avtale om dette med forfatteren(e).
- Tidsskriftet plikter å arkivere manuskriptet (inklusive metadata) i den opprinnelig publiserte digitale form, i minst ett dertil egnet åpent tilgjengelig langtidsarkiv for digitalt materiell, som for eksempel i de norske universitetenes institusjonsarkiv innen rammen av NORA-samarbeidet.
- Lesere av tidsskriftet kan ta utskrift av de fremførte manuskriptene under samme betingelser som gjelder ved kopiering av fysiske eksemplar. Dette innebærer at masseframstilling av fysiske eksemplar, eller framstilling av eksemplar for kommersielle formål, ikke er tillatt uten etter avtale med forfatteren(e).