Approaches to Craft Studies at Higher Education
DOI:
https://doi.org/10.7577/formakademisk.4197Keywords:
Craft pedagogy, Higher Education, Craft Science, Art studies, Craft traditionAbstract
The purpose of this article is to explore the various approaches to craft studies at higher education institutions. Based on fieldwork observations and document analysis of the curricula of four European and one US university craft study programmes, similarities and differences were found. The similarities concerned the pedagogy to acquire basic skills and the urge to keep up craft traditions. The differences concerned the broader aims of study and the students’ prospective career paths. The following approaches to craft studies in higher education were detected: 1. Educational crafts, 2. Traditional crafts, 3. Critical crafts, 4. Cultural heritage of crafts, and 5. Design-based crafts.
References
Adamson, G. (2010). The Craft Reader. Berg.
Almevik, G. (2019). Hantverksvetenskap och vetenskapligt hantverk. FormAkademisk, 12(1), 1-14. https://doi.org/10.7577/formakademisk.2310
Almevik, G. (2016). From Archive to living Heritage. Participatory documentation methods in crafts. In A. Palmsköld,J. Rosenqvist, & G: Almevik (Eds.), Crafting Cultural Heritage (pp. 77-99). Gothenburg University Press. http://hdl.handle.net/2077/42095
Almevik, G., Höglund, S., & Winbladh, A. (Eds.). (2014). Hantverkare emellan. Mariestad Craft Laboratory.
Annist, A. (2009). Outsourcing Culture: Establishing Heritage Hegemony by Funding Cultural Life in South Eastern Estonia. Lietuvos Etnologija: socialinés antropologijos ir etnologijos studijos, 9(18), 17-138. https://talpykla.istorija.lt/bitstream/99999/2005/1/Lietuvos_etnologija_9%2818%29_117-138.pdf
Bowen, G. A. (2009). Document Analysis as a Qualitative Research Method. Qualitative Research Journal, 9(2), 27-40. https://doi.org/10.3316/QRJ0902027
Fitzgerald, T. (2012). Documents and document analysis. In A.R.J Griggs, M. Coleman, & M. Morrison (Eds.), Research Methods in Educational Leadership & Management (pp. 296-308). SAGE. https://doi.org/10.4135/9781473957695.n20
Groth, C. (2017). Making Sense through Hands: Design and Craft Practice Analyzed as Embodied Cognition. ( Aalto University publication series 1/2017) [Doctoral Dissertation]. Aalto Arts books.
Johansson, M. (2018). Doktorsavhandlingar inom det nordiska slöjdfältet [Doctoral theses in the Nordic craft field]. Techne Serien A, 25(3), 109-123. https://journals.oslomet.no/index.php/techneA/article/view/3031
Jupp, V., & Norris, C. (1993). Traditions in documentary analysis. In M. Hammersley (Ed.), Social Research. Philosophy, Politics and Practice (pp. 37-51). SAGE.
Kokko, S. (2018). The role of higher education in sustaining culturally significant crafts in Estonia. In S. Walker, M. Evans, T. Cassidy, A. T. Holroyd, & J. Jung (Eds.), Design Roots. Culturally Significant Designs, Products and Practices (pp. 231-242). Bloomsbury Academic. https://doi.org/10.5040/9781474241823.ch-022
Kokko, S. (2021). Critical research approach in craft and fibre art studies in the USA. International Journal of Education Through Art. (accepted for publication) https://doi.org/10.1386/eta_00067_1
Kokko, S., Almevik, G., Høgseth, H., & Seitamaa-Hakkarainen, P. (2020a). Mapping the methodologies of the Craft Sciences in Finland, Sweden and Norway. Craft Research, 11(2), 177-209. https://doi.org/10.1386/crre_00025_1
Kokko, S., Kouhia, A., & Kangas, K. (2020b). Finnish craft education in turbulence. Techne serien - Forskning i Slöjdpedagogik och Slöjdvetenskap, 27(1), 1-19. https://journals.oslomet.no/index.php/techneA/article/view/3562
Niedderer, K., & Townsend, K. (2010). Editorial. Craft Research, 1(1), 3-10. https://doi.org/10.1386/crre.1.3_2
Palinkas, L. A., Horwitz, S. M., Green, C. A., Wisdom, J. P., Duan, N., & Hoagwood, K. (2015). Purposeful sampling for qualitative data collection and analysis in mixed method implementation research. Administration and policy in mental health and mental health services research, 42(5), 533-544. https://doi.org/10.1007/s10488-013-0528-y
Porko-Hudd, M., Pöllänen, S., & Lindfors, E. (2018). Common and holistic crafts education in Finland. Techne Serien A, 25(3), 26-38. https://journals.oslomet.no/index.php/techneA/article/view/3025
Studia Vernacula (2019). Volume 10. All things considered. Viljandi Culture Academy. http://ojs.utlib.ee/index.php/SV/issue/view/1220
Walker,S., Evans, M., Cassidy, T., Holroyd, A. T., & Jung, J. (Eds.). (2018), Design Roots. Culturally Significant Designs, Products and Practices. Bloomsbury. https://doi.org/10.5040/9781474241823
Wilkinson-Weber, Clare M., & DeNicola, Alicia O. (Eds.). (2016). Critical Craft: Technology, Globalisation, and Capitalism. Bloomsbury.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Sirpa Kokko
This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution 4.0 License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
- The author(s) must manage their economic reproduction rights to any third party.
- The journal makes no financial or other compensation for submissions, unless a separate agreement regarding this matter has been made with the author(s).
- The journal is obliged to archive the manuscript (including metadata) in its originally published digital form for at least a suitable amount of time in which the manuscript can be accessed via a long-term archive for digital material, such as in the Norwegian universities’ institutional archives within the framework of the NORA partnership.
Readers of the journal can print out the published manuscripts under the same conditions as apply to the reproduction of physical copies.