Spinning wool on Kihnu Island
The ecology of heritage sheep and textile crafts
DOI:
https://doi.org/10.7577/formakademisk.4213Emneord (Nøkkelord):
wool crafts, ecology of materials, practice-led research, cultural heritage, animal-human relationsSammendrag
Wool crafts are an essential part of cultural heritage and daily life on Kihnu Island in Estonia, and they begin with animal husbandry and wool preparation. People and sheep cooperatively produce wool, maintain the land through conservation grazing, and facilitate heritage activities while external and internal conditions and forces, like changing economic and demographic factors, provide challenges and friction. An ecological study of wool crafts in context requires attention to creative processes, tools, materials, landscapes, and human and other-than-human animals that are engaged in complex flows of activity and meaning with one another. Both ethnographic encounters and autoethnographic reflections on craft practice provide vital insight into these entanglements.
Referanser
Bennett, J. (2010). Vibrant matter : a political ecology of things. Duke University Press. https://doi.org/10.1215/9780822391623
Bird‐David, N. (1999). “Animism” Revisited. Current Anthropology, 40(S1), S67–S91. https://doi.org/10.1086/200061 https://doi.org/10.1086/200061
Candy, L., & Edmonds, E. (2018). Practice-Based Research in the Creative Arts: Foundations and Futures from the Front Line. Leonardo, 51(1), 63–69. https://doi.org/10.1162/LEON_a_01471 https://doi.org/10.1162/LEON_a_01471
Coole, D., & Frost, S. (2010). Introducing the New Materialisms. In D. Coole & S. Frost (Eds.), New Materialisms (pp. 1–44). Duke University Press. https://doi.org/10.1515/9780822392996-002 https://doi.org/10.2307/j.ctv11cw2wk.4
Glassie, H. (2007). Passing the time in Ballymenone : culture and history of an Ulster community. Indiana University Press.
Haraway, D. (2016). Staying with the trouble : making kin in the Chthulucene. Duke University Press. https://doi.org/10.1215/9780822373780 https://doi.org/10.2307/j.ctv11cw25q
Ingold, T. (2015). An Ecology of Materials. In S. Witzgall & K. Stakemeier (Eds.), Power of Material/ Politics of Materiality (1. edition, pp. 59–66). Diaphanes.
Kabun, K., & Michelson, A. (n.d.). Villa tüübid. Maalammas. https://sites.google.com/site/eestimaalammas/villa-tueuebid?authuser=0
Kuutma, K. (2002). National Candidature File for Estonia: The Kihnu Cultural Space. UNESCO.
Pukk, M. (2019). Printed-pattern headscarves in Kihnu cultural space. Studia Vernacula, 11, 78–101.
Pye, D. (2015). The nature and art of workmanship (Reprint). Bloomsbury Academic.
Rannamäe, E., Lõugas, L., Speller, C. F., Valk, H., Maldre, L., Wilczyński, J., Mikhailov, A., & Saarma, U. (2016). Three Thousand Years of Continuity in the Maternal Lineages of Ancient Sheep (Ovis aries) in Estonia. PLOS ONE, 11(10). https://doi.org/10.1371/journal.pone.0163676
Rannamäe, E., Saarma, U., Ärmpalu-Idvand, A., Teasdale, M. D., & Speller, C. (2020). Retroviral analysis reveals the ancient origin of Kihnu native sheep in Estonia: implications for breed conservation. Scientific Reports, 10(1), 1–8. https://doi.org/10.1038/s41598-020-74415-z https://doi.org/10.1038/s41598-020-74415-z
Reinholm, V. (2013). Anu Raud : Eesti tekstiilikunstnik = Anu Raud Estonian textile artist. Valgus.
Ryder, M. L. (2007). Sheep and man (2. impr.). Duckworth.
Statistikaamet. (2020). Kihnu rural municipality. https://www.stat.ee/index.php/en/find-statistics/statistics-region/parnu-county/kihnu-rural-municipality
Summatavet, K. (2005). Folk tradition and artistic inspiration: a woman’s life in traditional Estonian jewelry and crafts as told by Anne and Roosi. University of Art and Design Helsinki.
UNESCO. (n.d.). Kihnu cultural space. Intangible Cultural Heritage. https://ich.unesco.org/en/RL/kihnu-cultural-space-00042
Vill. KL 31. (1941). Korrespondentide Vastused, ERM KV 61, Eesti Rahva Muuseum, Tartu, Estonia.
Vosters, H. (2014). Military Memorialization and its Object(s) of Period Purification. In M. Schweitzer & J. Zerdy (Eds.), Performing Objects and Theatrical Things (pp. 104–117). Palgrave Macmillan. https://doi.org/10.1057/9781137402455 https://doi.org/10.1057/9781137402455_8
Wisnoski, B. (2019). An Aesthetics of Everything Else: Craft and Flat Ontologies. Journal of Modern Craft, 12(3), 205–217. https://doi.org/10.1080/17496772.2019.1678867 https://doi.org/10.1080/17496772.2019.1678867
Nedlastinger
Publisert
Hvordan referere
Utgave
Seksjon
Lisens
Opphavsrett 2021 Mathilde Frances Lind
Dette verket er lisensiert under Creative Commons Attribution-NoDerivatives 4.0 International License.
- Forfatteren(e) beholder sin opphavs- og kopieringsrett til eget manuskript, men gir tidsskriftet varig rett til 1) å fremføre manuskriptet for offentligheten i den opprinnelig publiserte digitale form, og 2) å registreres og siteres som første publisering av manuskriptet.
- Forfatteren må selv forvalte sine økonomiske kopieringsrettigheter overfor eventuell tredjepart.
- Tidsskriftet gir ingen økonomisk eller annen kompensasjon for innsendte bidrag, medmindre det er gjort særskilt avtale om dette med forfatteren(e).
- Tidsskriftet plikter å arkivere manuskriptet (inklusive metadata) i den opprinnelig publiserte digitale form, i minst ett dertil egnet åpent tilgjengelig langtidsarkiv for digitalt materiell, som for eksempel i de norske universitetenes institusjonsarkiv innen rammen av NORA-samarbeidet.
- Lesere av tidsskriftet kan ta utskrift av de fremførte manuskriptene under samme betingelser som gjelder ved kopiering av fysiske eksemplar. Dette innebærer at masseframstilling av fysiske eksemplar, eller framstilling av eksemplar for kommersielle formål, ikke er tillatt uten etter avtale med forfatteren(e).