The role of aesthetics in design education

Leverage of creativity through concrete and abstract form exploration

Authors

DOI:

https://doi.org/10.7577/TechneA.5259

Abstract

Design education has undergone transformations over time, although less emphasis has been placed on developing core areas such as form and aesthetics. Learning processes in design education are creative and comprehensive, but to an extent, learning has become a mission with a large focus on relevance and societal benefits. The designer’s role has become somewhat more instrumental, and designers’ function more often as facilitators than creators. Nevertheless, form and aesthetics are important competences that enable students to work creatively with both processes and results. As creators, design students need to develop their personal comprehension of forms and aesthetic expressions. This article demonstrates how aesthetics are activated through assignments and exercises that leverage awareness and experiences of concrete forms and abstractions. The assignments and exercises were given to bachelor’s degree and master’s degree students in Product Design at Oslo Metropolitan University, Norway, and to students from all levels (bachelor’s, master’s and PhD) at UNESP, Bauru in Brazil. Aesthetic awareness relates to perception and abstract form principles demonstrated through assignments and exercises, including various dramaturgies, results, and reflections. Examples demonstrate how haptic experiences change the way students perceive forms and spaces, particularly when the visual senses are muted or removed. Based on the students’ reflections and the results of the exercises, knowledge achieved through their explorations is equally valuable beyond the actual properties of forms and the engagement of personal affect from the creative processes.
Keywords: aesthetic awareness, abstraction, comprehension of form, creativity, design education

Author Biography

Astrid Maria Heimer, +4791803815

Astrid Heimer is an associate professor at the department for Produkt Design, TKD, OsloMet. Heimer has a PhD in Cultural studies, from University of South-Eastern Norway (USN), faculty of Humanities, Sports and Educational Sciences, and a diploma in ceramics from the Oslo Academy of the Arts (previously Statens Håndverks og Kunstindustriskole). The thesis, «Grip to get a grip of form. Concrete and abstract comprehension of form» is about form, how haptic perception, and embodied comprehension of form can supplement knowledge based on abstract form theories and visual perception. The dissertation contributes to create connections between different knowledge from practice and theory.

Heimer's expertise applies to various aesthetic practice-based disciplines such as design, arts, and crafts. Her special fields at Product Design are aesthetic practice-based methods, emphasizing creativity, form, perception, and materiality in design. Another key topic in her research and teaching is Design and Culture.

Heimer participates in the research group Design, Culture and Sustainability, and in the projects, CraftHub, UTFORSK and The Measure - Participatory Design. CraftHub is a European project, part of the Creative Europe Program and focuses on crafts and cultural heritage in contemporary practice. UTFORSK and The Measure - Participatory Design are two collaborative projects between OsloMet and UNESP, Bauru in Brazil. The two projects involve research and teaching related to design, health and well-being.

Parallel with the position at Product Design, Heimer works as a ceramist artist. See her work on the website: https://www.astridheimer.no.

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Published

2023-03-08 — Updated on 2023-03-21

How to Cite

Heimer, A. M. (2023). The role of aesthetics in design education: Leverage of creativity through concrete and abstract form exploration. Techne Series - Research in Sloyd Education and Craft Science A, 30(1), 31–45. https://doi.org/10.7577/TechneA.5259